Cinematic illustration, "Hell’s Convenience Store" at midnight

cinematic illustration, "Hell’s Convenience Store" at midnight, neon-lit street drenched in red and violet glow, toxic fog rising from the asphalt, glass door slightly open as the demon girl enters. She’s the original demon girl — slender, elegant, wearing her black rolled-up jacket, black heart earrings, messy abundant hair glowing faintly from the store’s infernal lights, her expression tired but magnetic. She’s clearly hungover, eyes half-lidded, smudged dark eyeliner, holding her head with one hand while pushing the door with the other. Inside, shelves full of bizarre products: spare demon horns in glass jars, bottled souls labeled like energy drinks, enchanted candy, alchemical potions bubbling behind the counter. The fluorescent sign flickers: “Hell’s Convenience Store.” The aesthetic is rich, moody, and hyperrealistic oil-painting style with chiaroscuro lighting — Morticia Addams–style illumination on her face emerging from the shadow, deep cinematic contrast, smoke, reflections on wet pavement, gothic atmosphere, no cheap Halloween props, just authentic demonic surrealism.

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cinematic illustration, "Hell’s Convenience Store" at midnight, neon-lit street drenched in red and violet glow, toxic fog rising from the asphalt, glass door slightly open as the demon girl enters. She’s the original demon girl — slender, elegant, wearing her black rolled-up jacket, black heart earrings, messy abundant hair glowing faintly from the store’s infernal lights, her expression tired but magnetic. She’s clearly hungover, eyes half-lidded, smudged dark eyeliner, holding her head with one hand while pushing the door with the other. Inside, shelves full of bizarre products: spare demon horns in glass jars, bottled souls labeled like energy drinks, enchanted candy, alchemical potions bubbling behind the counter. The fluorescent sign flickers: “Hell’s Convenience Store.” The aesthetic is rich, moody, and hyperrealistic oil-painting style with chiaroscuro lighting — Morticia Addams–style illumination on her face emerging from the shadow, deep cinematic contrast, smoke, reflections on wet pavement, gothic atmosphere, no cheap Halloween props, just authentic demonic surrealism.

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提示词

cinematic illustration, "Hell’s Convenience Store" at midnight, neon-lit street drenched in red and violet glow, toxic fog rising from the asphalt, glass door slightly open as the demon girl enters. She’s the original demon girl — slender, elegant, wearing her black rolled-up jacket, black heart earrings, messy abundant hair glowing faintly from the store’s infernal lights, her expression tired but magnetic. She’s clearly hungover, eyes half-lidded, smudged dark eyeliner, holding her head with one hand while pushing the door with the other. Inside, shelves full of bizarre products: spare demon horns in glass jars, bottled souls labeled like energy drinks, enchanted candy, alchemical potions bubbling behind the counter. The fluorescent sign flickers: “Hell’s Convenience Store.” The aesthetic is rich, moody, and hyperrealistic oil-painting style with chiaroscuro lighting — Morticia Addams–style illumination on her face emerging from the shadow, deep cinematic contrast, smoke, reflections on wet pavement, gothic atmosphere, no cheap Halloween props, just authentic demonic surrealism.

负标签

censored, worst quality, low quality, normal quality, lowres, jpeg artifacts, artistic error, multiple views, signature, watermark, artist name, bad hands, extra digits, extra legs, displeasing, worst aesthetic, simple background,

文本强度

4

步骤

25

采集器

DPM++ 2M Karras

随机种子

1596512312

Clip Skip

2

图片尺寸

1051 X 1536

模型

Better Days. [illustrious-XL] [ponyXL] (MERGE)

创作

尺寸

2096X3072

日期

Oct 6, 2025

模式

SDXL

类型

upscale

模型 & 风格

Checkpoint

Better Days. [illustrious-XL] [ponyXL] (MERGE)

LORA

"In the Dark" (Low-Light Style) - killedmyself

#monster

#恐怖

#史诗角色

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