“An ultra-realistic, highly detailed cinematic artwork of an ancient Indian temp

“An ultra-realistic, highly detailed cinematic artwork of an ancient Indian temple interior, depicted in full depth and mystery. The entire atmosphere is immersed in darkness, with only minimal, sacred light sources revealing its divine architecture. The temple is built from weathered black and brown stone, with towering carved pillars on either side, each covered in intricate reliefs of gods, goddesses, and mythological scenes. Faint golden light from a few oil lamps (diyas) flickers gently, casting moving shadows that dance across the carvings, making the sculptures appear almost alive. The stone walls and pillars glisten slightly, damp from centuries of age, absorbing the dim glow. At the heart of the temple lies the garbhagriha (sanctum) — a mysterious, shadow-filled inner chamber. The sanctum itself is almost fully dark, except for the faint glow of a few lamps placed before the deity. The background should be deep, nearly black, to emphasize the hidden divine presence. The floor is made of old, polished stone slabs, reflecting the small patches of light from the lamps. Thin streams of incense smoke curl upward, glowing softly when touched by the golden light, filling the air with a hazy, mystical aura. The smell of sandalwood and camphor feels almost real. No modern elements should appear — everything must remain ancient, divine, and mythological, in a dark devotional ambience. The focus is on the contrast between shadow and subtle light — emphasizing silence, stillness, and spiritual depth. Style: Ultra-realistic, cinematic, high contrast, dramatic lighting — evoking the feeling of stepping into a timeless, sacred space where divinity resides in shadows.”
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“An ultra-realistic, highly detailed cinematic artwork of an ancient Indian temple interior, depicted in full depth and mystery. The entire atmosphere is immersed in darkness, with only minimal, sacred light sources revealing its divine architecture.
The temple is built from weathered black and brown stone, with towering carved pillars on either side, each covered in intricate reliefs of gods, goddesses, and mythological scenes. Faint golden light from a few oil lamps (diyas) flickers gently, casting moving shadows that dance across the carvings, making the sculptures appear almost alive. The stone walls and pillars glisten slightly, damp from centuries of age, absorbing the dim glow.
At the heart of the temple lies the garbhagriha (sanctum) — a mysterious, shadow-filled inner chamber. The sanctum itself is almost fully dark, except for the faint glow of a few lamps placed before the deity. The background should be deep, nearly black, to emphasize the hidden divine presence.
The floor is made of old, polished stone slabs, reflecting the small patches of light from the lamps. Thin streams of incense smoke curl upward, glowing softly when touched by the golden light, filling the air with a hazy, mystical aura. The smell of sandalwood and camphor feels almost real.
No modern elements should appear — everything must remain ancient, divine, and mythological, in a dark devotional ambience. The focus is on the contrast between shadow and subtle light — emphasizing silence, stillness, and spiritual depth.
Style: Ultra-realistic, cinematic, high contrast, dramatic lighting — evoking the feeling of stepping into a timeless, sacred space where divinity resides in shadows.”
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