A young, very beautiful girl with aristocratic pallor of skin and almond
A young, very beautiful girl with aristocratic pallor of skin and almond-shaped eyes, accentuated by dark makeup, is sitting on an old stone floor near a large Gothic-style window. Her pose is half-embryo: knees pulled up to her chest, arms wrapped around her, chin lowered on clasped fingers. On his left arm are thin silver bracelets that jingle with every movement. The gaze is directed downwards, but not at the floor - but somewhere through it.; Her lips, tinted dark cherry, are slightly parted, as if she is frozen in the middle of an unspoken thought.Her hair, long as night, with a bluish tint, falls over her shoulders, intercepted only by a thin silver thread with a pendant in the form of a drop of black amber. She is wearing a semi-transparent black chiffon shirt with lace cuffs, through which her fragile collarbones shine through. On top is a corset the color of a bloody rose with intricate embroidery with silver threads resembling a spider's web. The flame of candles in a massive candelabrum, standing in the corner on the floor, is reflected in a huge mirror in a gilded frame.Outside the window, a Gothic metropolis sprawls below: spires of cathedrals, sharp roofs of ancient buildings, intertwining bridges and neon signs. Somewhere in the distance, the silhouette of an abandoned chapel looms, and cars with red headlights move through the streets like blood through the veins. The moon, huge and pale, hangs above the horizon, reflecting in puddles on the pavement. The light of the setting sun falls from a high lancet window (somewhere at the level of her shoulder), drawing a pattern of dusty rays on the floor and her legs.The color scheme is deep velvet tones with Gothic accents. The camera shoots from the bottom up, emphasizing the fragility of the girl's figure against the background of the Gothic interior. The style is Gothic romanticism with elements of dark academia: the textures are hyper-detailed
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A young, very beautiful girl with aristocratic pallor of skin and almond-shaped eyes, accentuated by dark makeup, is sitting on an old stone floor near a large Gothic-style window. Her pose is half-embryo: knees pulled up to her chest, arms wrapped around her, chin lowered on clasped fingers. On his left arm are thin silver bracelets that jingle with every movement. The gaze is directed downwards, but not at the floor - but somewhere through it.; Her lips, tinted dark cherry, are slightly parted, as if she is frozen in the middle of an unspoken thought.Her hair, long as night, with a bluish tint, falls over her shoulders, intercepted only by a thin silver thread with a pendant in the form of a drop of black amber. She is wearing a semi-transparent black chiffon shirt with lace cuffs, through which her fragile collarbones shine through. On top is a corset the color of a bloody rose with intricate embroidery with silver threads resembling a spider's web. The flame of candles in a massive candelabrum, standing in the corner on the floor, is reflected in a huge mirror in a gilded frame.Outside the window, a Gothic metropolis sprawls below: spires of cathedrals, sharp roofs of ancient buildings, intertwining bridges and neon signs. Somewhere in the distance, the silhouette of an abandoned chapel looms, and cars with red headlights move through the streets like blood through the veins. The moon, huge and pale, hangs above the horizon, reflecting in puddles on the pavement. The light of the setting sun falls from a high lancet window (somewhere at the level of her shoulder), drawing a pattern of dusty rays on the floor and her legs.The color scheme is deep velvet tones with Gothic accents. The camera shoots from the bottom up, emphasizing the fragility of the girl's figure against the background of the Gothic interior. The style is Gothic romanticism with elements of dark academia: the textures are hyper-detailed
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