Urid vivid colors and details,an ominous mood, chilling atmosphere
urid vivid colors and details,an ominous mood, chilling atmosphere, smoky ambiance, cinematic composition, detailed, intricate, medium contrast, murky blue and green back lighting, volumetric lighting, Frazetta, Steranko, James Bama, classic fantasy art, lurid and vivid colors, perfect anatomy, masterpiece, HD, 8x, "anatomically correct human" "realistic proportions" "natural human pose" "full figure, accurate anatomy" "correct fingers and joints" 1960s TV, moody lighting, chiaroscuro, Italian pulp comic color palette, saturated dark orange tones and dark muddy greens, sparse red tinges on the edges of objects, film grain, Technicolor, dramatic shadows, unnatural angles, dark frame around image, vignette effect, , Suspended reality and dreamlike quality, Symbolic and grotesque imagery, Intricate lighting and shadow play, Stylized color palettes, Dynamic framing and composition, erotic, sexy, NSFW, more of a classic illustration style than a photograph Completed, narrative of the "dark angel" unfolds across three haunting images, each a testament to the fallen angel's sorrowful descent, echoing the Pre-Raphaelite artistry of Edward Burne-Jones and Dante Gabriel Rossetti. In the first image, a figure kneels in a dimly lit, industrial room, vast black wings unfurling like shadows. The angel, cloaked in darkness, bows over a shrouded form, its feathers jagged and worn, suggesting a fall from grace. The muted tones and melancholic pose reflect Burne-Jones' ethereal melancholy, where divine beauty meets earthly ruin. Barry Windsor Smith
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urid vivid colors and details,an ominous mood, chilling atmosphere, smoky ambiance, cinematic composition, detailed, intricate, medium contrast, murky blue and green back lighting, volumetric lighting, Frazetta, Steranko, James Bama, classic fantasy art, lurid and vivid colors, perfect anatomy, masterpiece, HD, 8x, "anatomically correct human" "realistic proportions" "natural human pose" "full figure, accurate anatomy" "correct fingers and joints" 1960s TV, moody lighting, chiaroscuro, Italian pulp comic color palette, saturated dark orange tones and dark muddy greens, sparse red tinges on the edges of objects, film grain, Technicolor, dramatic shadows, unnatural angles, dark frame around image, vignette effect, , Suspended reality and dreamlike quality, Symbolic and grotesque imagery, Intricate lighting and shadow play, Stylized color palettes, Dynamic framing and composition, erotic, sexy, NSFW, more of a classic illustration style than a photograph Completed, narrative of the "dark angel" unfolds across three haunting images, each a testament to the fallen angel's sorrowful descent, echoing the Pre-Raphaelite artistry of Edward Burne-Jones and Dante Gabriel Rossetti. In the first image, a figure kneels in a dimly lit, industrial room, vast black wings unfurling like shadows. The angel, cloaked in darkness, bows over a shrouded form, its feathers jagged and worn, suggesting a fall from grace. The muted tones and melancholic pose reflect Burne-Jones' ethereal melancholy, where divine beauty meets earthly ruin. Barry Windsor Smith
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