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Only two people, the scene takes place in French colonial Indochine in the 1950s

Only two people, the scene takes place in French colonial Indochine in the 1950s, A dimly lit dining room with a wooden table, set with a plate of food and wine glasses, exudes a heavy, melancholic mood. A wealthy but lonely white French man in a robe sits isolated, his face etched with unhappiness, while a timid, subservient Vietnamese housemaid stands near candelabras, her demeanor hinting at an ongoing doomed love affair. an ominous mood, chilling atmosphere, smoky ambiance, cinematic composition, detailed, intricate, medium contrast, murky blue and green back lighting, volumetric lighting, Frazetta, Steranko, James Bama, classic fantasy art, lurid and vivid colors, perfect anatomy, masterpiece, HD, 8x, "anatomically correct human" "realistic proportions" "natural human pose" "full figure, accurate anatomy" "correct fingers and joints" 1950s cinema, moody lighting, chiaroscuro, Italian pulp comic color palette, saturated dark orange tones and dark muddy greens, sparse red tinges on the edges of objects, film grain, foggy lens, dramatic shadows, unnatural angles, the edges of image are slightly worn and dark, Suspended reality and dreamlike quality, Symbolic and grotesque imagery, Intricate lighting and shadow play, Stylized color palettes, Dynamic framing and composition

Only two people, the scene takes place in French colonial Indochine in the 1950s, A dimly lit dining room with a wooden table, set with a plate of food and wine glasses, exudes a heavy, melancholic mood. A wealthy but lonely white French man in a robe sits isolated, his face etched with unhappiness, while a timid, subservient Vietnamese housemaid stands near candelabras, her demeanor hinting at an ongoing doomed love affair. an ominous mood, chilling atmosphere, smoky ambiance, cinematic composition, detailed, intricate, medium contrast, murky blue and green back lighting, volumetric lighting, Frazetta, Steranko, James Bama, classic fantasy art, lurid and vivid colors, perfect anatomy, masterpiece, HD, 8x, "anatomically correct human" "realistic proportions" "natural human pose" "full figure, accurate anatomy" "correct fingers and joints" 1950s cinema, moody lighting, chiaroscuro, Italian pulp comic color palette, saturated dark orange tones and dark muddy greens, sparse red tinges on the edges of objects, film grain, foggy lens, dramatic shadows, unnatural angles, the edges of image are slightly worn and dark, Suspended reality and dreamlike quality, Symbolic and grotesque imagery, Intricate lighting and shadow play, Stylized color palettes, Dynamic framing and composition

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Hans Bellmer
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Only two people, the scene takes place in French colonial Indochine in the 1950s, A dimly lit dining room with a wooden table, set with a plate of food and wine glasses, exudes a heavy, melancholic mood. A wealthy but lonely white French man in a robe sits isolated, his face etched with unhappiness, while a timid, subservient Vietnamese housemaid stands near candelabras, her demeanor hinting at an ongoing doomed love affair. an ominous mood, chilling atmosphere, smoky ambiance, cinematic composition, detailed, intricate, medium contrast, murky blue and green back lighting, volumetric lighting, Frazetta, Steranko, James Bama, classic fantasy art, lurid and vivid colors, perfect anatomy, masterpiece, HD, 8x, "anatomically correct human" "realistic proportions" "natural human pose" "full figure, accurate anatomy" "correct fingers and joints" 1950s cinema, moody lighting, chiaroscuro, Italian pulp comic color palette, saturated dark orange tones and dark muddy greens, sparse red tinges on the edges of objects, film grain, foggy lens, dramatic shadows, unnatural angles, the edges of image are slightly worn and dark, Suspended reality and dreamlike quality, Symbolic and grotesque imagery, Intricate lighting and shadow play, Stylized color palettes, Dynamic framing and composition
信息
提示词
Only two people, the scene takes place in French colonial Indochine in the 1950s, A dimly lit dining room with a wooden table, set with a plate of food and wine glasses, exudes a heavy, melancholic mood. A wealthy but lonely white French man in a robe sits isolated, his face etched with unhappiness, while a timid, subservient Vietnamese housemaid stands near candelabras, her demeanor hinting at an ongoing doomed love affair. an ominous mood, chilling atmosphere, smoky ambiance, cinematic composition, detailed, intricate, medium contrast, murky blue and green back lighting, volumetric lighting, Frazetta, Steranko, James Bama, classic fantasy art, lurid and vivid colors, perfect anatomy, masterpiece, HD, 8x, "anatomically correct human" "realistic proportions" "natural human pose" "full figure, accurate anatomy" "correct fingers and joints" 1950s cinema, moody lighting, chiaroscuro, Italian pulp comic color palette, saturated dark orange tones and dark muddy greens, sparse red tinges on the edges of objects, film grain, foggy lens, dramatic shadows, unnatural angles, the edges of image are slightly worn and dark, Suspended reality and dreamlike quality, Symbolic and grotesque imagery, Intricate lighting and shadow play, Stylized color palettes, Dynamic framing and composition
风格
图片尺寸
800 X 1024
创作
尺寸
1600X2048
日期
Jul 9, 2025
模式
实验室
类型
upscale
模型 & 风格
SeaArt Infinity
Checkpoint
SeaArt Infinity
LORA
Wanderer's Detailed Portraits | FLUX
LORA
HBFE - Horror, Blood, Fear, Eyes
CTAI-Vietnamese house early 1980
LORA
CTAI-Vietnamese house early 1980
LORA
Cinematic "color grading" motion picture film color contrast style XL + F1D
Lomographic
LORA
Lomographic
#角色
#写实
#欧美写实
#西方写实
#SeaArt Infinity
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