*"A surreal and elegant depiction of the Japanese yokai Futakuchi
*"A surreal and elegant depiction of the Japanese yokai Futakuchi-onna, seen fully from behind as she sits in seiza (traditional kneeling posture) on a flat surface. The background is a minimalist beige gradient, smooth and textureless, designed to focus entirely on the figure. She wears a plain, elegant kimono with no text or symbols, and her posture is calm and composed. Her long black hair is carefully styled to part slightly at the center of her back, allowing a clear view of a strange, curved fissure on the back of her head — a mouth-like crack that subtly resembles a quiet, unsettling smile. This 'second mouth' is visible without obstruction, framed naturally by her flowing hair. In her hands, behind her back or at her side, she gently holds a skewer of dango (sweet dumplings), one of which appears to have been offered toward the second mouth. The lighting is soft and warm, casting delicate shadows across her back and highlighting the movement of her hair, which flows gracefully with a dreamlike quality, inspired by ukiyo-e wave patterns. There are no distractions in the background — only space, light, and the quiet tension between beauty and the supernatural."*
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*"A surreal and elegant depiction of the Japanese yokai Futakuchi-onna, seen fully from behind as she sits in seiza (traditional kneeling posture) on a flat surface. The background is a minimalist beige gradient, smooth and textureless, designed to focus entirely on the figure.
She wears a plain, elegant kimono with no text or symbols, and her posture is calm and composed. Her long black hair is carefully styled to part slightly at the center of her back, allowing a clear view of a strange, curved fissure on the back of her head — a mouth-like crack that subtly resembles a quiet, unsettling smile. This 'second mouth' is visible without obstruction, framed naturally by her flowing hair.
In her hands, behind her back or at her side, she gently holds a skewer of dango (sweet dumplings), one of which appears to have been offered toward the second mouth.
The lighting is soft and warm, casting delicate shadows across her back and highlighting the movement of her hair, which flows gracefully with a dreamlike quality, inspired by ukiyo-e wave patterns. There are no distractions in the background — only space, light, and the quiet tension between beauty and the supernatural."*
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