A woman who looks like Audrey Hepburn, she has long hair and is wearing dark clo

a woman who looks like Audrey Hepburn, she has long hair and is wearing dark clothes, in an old cabin in the Swiss mountains, looking sadly out the window at the forest and mountains on the wooden table is a shattered and crack porcelain doll, the type made in Eastern Europe, volumetric lighting, classic horror comic aesthetic, muted colors, high-contrast, sepia tones, chiaroscuro lighting, grainy texture, low-key lighting, deep shadows, retro mise-en-scène, noir palette, Giallo vibrancy, smoky ambiance, cinematic composition, detailed, intricate, medium contrast, murky red and green back lighting, volumetric lighting, Frazetta, James Bama, Jim Steranko, Bernie Wrightson, lurid and vivid, NSFW, perfect anatomy, masterpiece, HD, 8x, "anatomically correct human" "realistic proportions" "natural human pose" "full figure, accurate anatomy" "correct fingers and joints" 1970s Giallo cinema, moody lighting, chiaroscuro, Italian pulp comic color palette, saturated reds and greens, film grain, foggy lens, dramatic shadows, unnatural angles, the edges of image are old and torn and stained,
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a woman who looks like Audrey Hepburn, she has long hair and is wearing dark clothes, in an old cabin in the Swiss mountains, looking sadly out the window at the forest and mountains on the wooden table is a shattered and crack porcelain doll, the type made in Eastern Europe, volumetric lighting, classic horror comic aesthetic, muted colors, high-contrast, sepia tones, chiaroscuro lighting, grainy texture, low-key lighting, deep shadows, retro mise-en-scène, noir palette, Giallo vibrancy, smoky ambiance, cinematic composition, detailed, intricate, medium contrast, murky red and green back lighting, volumetric lighting, Frazetta, James Bama, Jim Steranko, Bernie Wrightson, lurid and vivid, NSFW, perfect anatomy, masterpiece, HD, 8x, "anatomically correct human" "realistic proportions" "natural human pose" "full figure, accurate anatomy" "correct fingers and joints" 1970s Giallo cinema, moody lighting, chiaroscuro, Italian pulp comic color palette, saturated reds and greens, film grain, foggy lens, dramatic shadows, unnatural angles, the edges of image are old and torn and stained,
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