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Masterpiece, 8k, ultra-photorealistic, cinematic shot. A hyper

masterpiece, 8k, ultra-photorealistic, cinematic shot.

A hyper-realistic young Japanese girl with a very sweet, delicate, and innocent face. Her large, gentle eyes hold a quiet, melancholic calmness.

She is dressed in a sharp, modern, dark yakuza-style suit. The powerful contrast comes from the weapon she holds: a compact submachine gun (like a Skorpion vz. 61), which she holds with a steady, practiced grip that betrays her innocent appearance.

She stands in a narrow, rain-slicked alley in Shinjuku. The background is rich with detail: **overflowing dumpsters, a complex web of tangled electrical wires overhead, and steam rising from a street vent**. The walls are covered in **peeling, layered posters**. The wet pavement is littered with discarded flyers, creating dirty puddles.

The scene is lit by the vibrant pink and blue neon glow from the main street, which **reflects beautifully on the puddles and the wet metal of the gun**. A strong backlight creates a sharp rim light, separating her from the deep, grimy darkness of the alley.

Style of a neo-noir film still. Every detail is in crystal-clear focus, from the texture of her suit to the rust on the dumpsters and the intricate details of the submachine gun.

masterpiece, 8k, ultra-photorealistic, cinematic shot. A hyper-realistic young Japanese girl with a very sweet, delicate, and innocent face. Her large, gentle eyes hold a quiet, melancholic calmness. She is dressed in a sharp, modern, dark yakuza-style suit. The powerful contrast comes from the weapon she holds: a compact submachine gun (like a Skorpion vz. 61), which she holds with a steady, practiced grip that betrays her innocent appearance. She stands in a narrow, rain-slicked alley in Shinjuku. The background is rich with detail: **overflowing dumpsters, a complex web of tangled electrical wires overhead, and steam rising from a street vent**. The walls are covered in **peeling, layered posters**. The wet pavement is littered with discarded flyers, creating dirty puddles. The scene is lit by the vibrant pink and blue neon glow from the main street, which **reflects beautifully on the puddles and the wet metal of the gun**. A strong backlight creates a sharp rim light, separating her from the deep, grimy darkness of the alley. Style of a neo-noir film still. Every detail is in crystal-clear focus, from the texture of her suit to the rust on the dumpsters and the intricate details of the submachine gun.

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Jhon 117
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masterpiece, 8k, ultra-photorealistic, cinematic shot. A hyper-realistic young Japanese girl with a very sweet, delicate, and innocent face. Her large, gentle eyes hold a quiet, melancholic calmness. She is dressed in a sharp, modern, dark yakuza-style suit. The powerful contrast comes from the weapon she holds: a compact submachine gun (like a Skorpion vz. 61), which she holds with a steady, practiced grip that betrays her innocent appearance. She stands in a narrow, rain-slicked alley in Shinjuku. The background is rich with detail: **overflowing dumpsters, a complex web of tangled electrical wires overhead, and steam rising from a street vent**. The walls are covered in **peeling, layered posters**. The wet pavement is littered with discarded flyers, creating dirty puddles. The scene is lit by the vibrant pink and blue neon glow from the main street, which **reflects beautifully on the puddles and the wet metal of the gun**. A strong backlight creates a sharp rim light, separating her from the deep, grimy darkness of the alley. Style of a neo-noir film still. Every detail is in crystal-clear focus, from the texture of her suit to the rust on the dumpsters and the intricate details of the submachine gun.
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提示词
masterpiece, 8k, ultra-photorealistic, cinematic shot. A hyper-realistic young Japanese girl with a very sweet, delicate, and innocent face. Her large, gentle eyes hold a quiet, melancholic calmness. She is dressed in a sharp, modern, dark yakuza-style suit. The powerful contrast comes from the weapon she holds: a compact submachine gun (like a Skorpion vz. 61), which she holds with a steady, practiced grip that betrays her innocent appearance. She stands in a narrow, rain-slicked alley in Shinjuku. The background is rich with detail: **overflowing dumpsters, a complex web of tangled electrical wires overhead, and steam rising from a street vent**. The walls are covered in **peeling, layered posters**. The wet pavement is littered with discarded flyers, creating dirty puddles. The scene is lit by the vibrant pink and blue neon glow from the main street, which **reflects beautifully on the puddles and the wet metal of the gun**. A strong backlight creates a sharp rim light, separating her from the deep, grimy darkness of the alley. Style of a neo-noir film still. Every detail is in crystal-clear focus, from the texture of her suit to the rust on the dumpsters and the intricate details of the submachine gun.
风格
图片尺寸
688 X 1024
创作
尺寸
1376X2048
日期
Jul 1, 2025
模式
实验室
类型
upscale
模型 & 风格
SeaArt Infinity
Checkpoint
SeaArt Infinity
beauty mana
LORA
beauty mana
LORA
Cinematic "color grading" motion picture film color contrast style XL + F1D
Samurais, Yakuza and Pretty Women: Ryoichi Ikegami Manga Illustration Style
LORA
Samurais, Yakuza and Pretty Women: Ryoichi Ikegami Manga Illustration Style
#角色
#写实
#摄影
#制服
#亚洲美女
#SeaArt Infinity
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