A hyper-realistic version of Sub-Zero from Mortal Kombat standing still in the c

A hyper-realistic version of Sub-Zero from Mortal Kombat standing still in the center of an abandoned, icy urban street at night, lit by cold-blue city lights. He wears a dark tactical combat outfit, layered and functional, with subtle blue accents and a frozen steel-blue mask covering the lower half of his face — the metal covered in delicate frost patterns. His entire presence radiates cold. From his bare, scarred hands, streams of dense mist and freezing vapor slowly rise, swirling in the air. Then, in slow cinematic motion, ice begins to form and expand from his palms — creeping, jagged, and alive — like frost crawling across glass, cracking and crystallizing the space around him. His breath is visible, calm and slow, while his eyes remain locked forward, focused and intense. The camera stays tight on him, showing fine details: frozen pores on his skin, the slight shimmer of ice particles in his eyelashes, and faint cracking sounds from the cold pressure building in his fingers. The atmosphere is dead silent, except for the sound of ice forming — crackling, growing, echoing. He slowly raises his hands, and the cold intensifies — ice spreading over the street around him, freezing puddles, coating trash cans and lampposts. The scene is grounded, haunting, and majestic — like watching a real man who became winter itself.
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A hyper-realistic version of Sub-Zero from Mortal Kombat standing still in the center of an abandoned, icy urban street at night, lit by cold-blue city lights. He wears a dark tactical combat outfit, layered and functional, with subtle blue accents and a frozen steel-blue mask covering the lower half of his face — the metal covered in delicate frost patterns. His entire presence radiates cold. From his bare, scarred hands, streams of dense mist and freezing vapor slowly rise, swirling in the air. Then, in slow cinematic motion, ice begins to form and expand from his palms — creeping, jagged, and alive — like frost crawling across glass, cracking and crystallizing the space around him. His breath is visible, calm and slow, while his eyes remain locked forward, focused and intense. The camera stays tight on him, showing fine details: frozen pores on his skin, the slight shimmer of ice particles in his eyelashes, and faint cracking sounds from the cold pressure building in his fingers. The atmosphere is dead silent, except for the sound of ice forming — crackling, growing, echoing. He slowly raises his hands, and the cold intensifies — ice spreading over the street around him, freezing puddles, coating trash cans and lampposts. The scene is grounded, haunting, and majestic — like watching a real man who became winter itself.
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