Ghibli style,Epic dark fantasy concept art masterpiece. A biomechanical forest o

ghibli style,Epic dark fantasy concept art masterpiece. A biomechanical forest of grotesque, skeletal trees and phosphorescent flora grows upon the colossal, moss-covered carapace of a slumbering, mountain-sized Earth Dragon. The atmosphere is thick with mist and shadow, pierced by ethereal beams of volumetric light from a stormy, overcast sky. Swarms of tiny, glowing fae-like creatures and bioluminescent insects drift in the gloom. The dragon's ancient, craggy scales resemble a weathered landscape of obsidian and granite. In the deep shadows below, a single, immense eye radiates a soft, ominous emerald green glow. Dynamic low-angle composition, emphasizing the monumental scale. Intricate hyper-detail, cinematic lighting, moody and surreal atmosphere. A digital painting that masterfully blends the dystopian surrealism of Zdzisław Beksiński with the enchanted naturalism of Studio Ghibli's 'Princess Mononoke', with subtle biomechanical textures reminiscent of H.R. Giger.
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ghibli style,Epic dark fantasy concept art masterpiece. A biomechanical forest of grotesque, skeletal trees and phosphorescent flora grows upon the colossal, moss-covered carapace of a slumbering, mountain-sized Earth Dragon. The atmosphere is thick with mist and shadow, pierced by ethereal beams of volumetric light from a stormy, overcast sky. Swarms of tiny, glowing fae-like creatures and bioluminescent insects drift in the gloom. The dragon's ancient, craggy scales resemble a weathered landscape of obsidian and granite. In the deep shadows below, a single, immense eye radiates a soft, ominous emerald green glow. Dynamic low-angle composition, emphasizing the monumental scale. Intricate hyper-detail, cinematic lighting, moody and surreal atmosphere. A digital painting that masterfully blends the dystopian surrealism of Zdzisław Beksiński with the enchanted naturalism of Studio Ghibli's 'Princess Mononoke', with subtle biomechanical textures reminiscent of H.R. Giger.
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