Blame, tsutomu nihei, by tsutomu nihei,movie, cibo, GBE,ova, Dozens of quadruped

blame, tsutomu nihei, by tsutomu nihei,movie, cibo, GBE,ova, Dozens of quadrupedal biomechanical exterminator units with sleek white armored bodies, black mechanical joints, and skeletal claws are crawling, climbing, and leaping across the towering architecture, swarming downward from all directions. Their blank white humanoid faces and sharp black spinal spikes create a terrifying, expressionless presence. The camera is surrounded and overwhelmed by the units, creating a suffocating sense of tension and entrapment. a wide-angle horizontal shot from a ground-level low-angle perspective, looking up into a vast brutalist megastructure inspired by Tsutomu Nihei's BLAME!, with immense vertical depth, overlapping walkways, massive industrial shafts, layered platforms, and tangled cables.The entire scene is rendered in high-contrast monochrome ink illustration style, evoking a grotesque cyberpunk horror aesthetic with extreme architectural scale and oppressive visual weight.
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blame, tsutomu nihei, by tsutomu nihei,movie, cibo, GBE,ova, Dozens of quadrupedal biomechanical exterminator units with sleek white armored bodies, black mechanical joints, and skeletal claws are crawling, climbing, and leaping across the towering architecture, swarming downward from all directions. Their blank white humanoid faces and sharp black spinal spikes create a terrifying, expressionless presence. The camera is surrounded and overwhelmed by the units, creating a suffocating sense of tension and entrapment. a wide-angle horizontal shot from a ground-level low-angle perspective, looking up into a vast brutalist megastructure inspired by Tsutomu Nihei's BLAME!, with immense vertical depth, overlapping walkways, massive industrial shafts, layered platforms, and tangled cables.The entire scene is rendered in high-contrast monochrome ink illustration style, evoking a grotesque cyberpunk horror aesthetic with extreme architectural scale and oppressive visual weight.
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