Intense action shot. Extremely dynamic pose, character in the middle of movement
Intense action shot. Extremely dynamic pose, character in the middle of movement. An extremely detailed close-up shot of a young man's face at the moment of hitting the asphalt after he was hit by a car. Shock, pain, and suffering are reflected on his face.The muscles of the face are flattened, inertially deformed by impact on the hard surface of the asphalt. Blurring in motion highlights the force of the impact. His mouth is slightly open and his eyes are tightly closed. Blood drips from his forehead and lips, sweat and raindrops on his skin.Blood splatters all around. The texture of the asphalt is rough and rough, with small pebbles biting into the cheek. The impact of the body on the ground, his body bends with unbridled energy, limbs stretch strongly, creating an effect, hair and clothes quickly flutter from movement, Dark cinematic lighting with cold tones (turquoise and orange contrasts), a small depth of field, casting soft shadows. The overall perspective is visible directly from below and slightly from the side. The composition is dynamic, the emphasis is on the action and position of the head at the moment of hitting the asphalt. Hyper-realistic skin pores, subsurface scattering, micro-details such as shadows cast by eyelashes. Style: cinematic realism, similar to "Saving Private Ryan" or "Drive," with the characteristic dynamic energy of Flux. The picture was taken on Arri Alexa, 85mm lens, f/1.4.
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Intense action shot. Extremely dynamic pose, character in the middle of movement. An extremely detailed close-up shot of a young man's face at the moment of hitting the asphalt after he was hit by a car. Shock, pain, and suffering are reflected on his face.The muscles of the face are flattened, inertially deformed by impact on the hard surface of the asphalt. Blurring in motion highlights the force of the impact. His mouth is slightly open and his eyes are tightly closed. Blood drips from his forehead and lips, sweat and raindrops on his skin.Blood splatters all around. The texture of the asphalt is rough and rough, with small pebbles biting into the cheek. The impact of the body on the ground, his body bends with unbridled energy, limbs stretch strongly, creating an effect, hair and clothes quickly flutter from movement, Dark cinematic lighting with cold tones (turquoise and orange contrasts), a small depth of field, casting soft shadows. The overall perspective is visible directly from below and slightly from the side. The composition is dynamic, the emphasis is on the action and position of the head at the moment of hitting the asphalt. Hyper-realistic skin pores, subsurface scattering, micro-details such as shadows cast by eyelashes. Style: cinematic realism, similar to "Saving Private Ryan" or "Drive," with the characteristic dynamic energy of Flux. The picture was taken on Arri Alexa, 85mm lens, f/1.4.
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