There is a submarine floating in the ocean with jellys

A breathtaking and dramatic deep-sea abyss scene, inspired by 20,000 Leagues Under the Sea, featuring a massive steampunk Victorian submarine lost in the crushing darkness of the ocean depths. The submarine is intricately designed, with a weathered metal hull, large glowing portholes, and industrial steampunk details such as rivets, pipes, and ornate engravings. It drifts silently through the black void, its warm golden lights casting an eerie glow into the surrounding darkness. The ocean is pitch-black, with absolutely no sunlight reaching this depth. The only sources of light are the submarine’s illuminated windows and the ghostly bioluminescence of floating jellyfish, which glow in shades of electric blue, green, and violet. These creatures pulse with an otherworldly radiance, their tendrils drifting gracefully in the water, creating a surreal contrast against the abyss. Faint outlines of ancient underwater ruins loom in the background, barely discernible in the murky depths. Remnants of Greek-style columns and sunken structures, now overtaken by coral and alien-like deep-sea growths, suggest a long-lost civilization swallowed by the ocean. Lurking in the vast darkness, a colossal shadow of a giant squid moves ominously. Its tentacles stretch toward the submarine, emerging slowly from the void. The full creature remains shrouded in obscurity, making its immense size and presence feel even more unsettling. The color palette is dark and moody, dominated by deep blues, greens, and blacks, punctuated by the warm golden glow of the submarine’s lights and the ghostly bioluminescent blues and purples of the jellyfish. The composition should be epic, cinematic, and immersive, in the painterly style of Frank Frazetta, with high detail, dramatic lighting, and a sense of mystery, isolation, and grand adventure.
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A breathtaking and dramatic deep-sea abyss scene, inspired by 20,000 Leagues Under the Sea, featuring a massive steampunk Victorian submarine lost in the crushing darkness of the ocean depths. The submarine is intricately designed, with a weathered metal hull, large glowing portholes, and industrial steampunk details such as rivets, pipes, and ornate engravings. It drifts silently through the black void, its warm golden lights casting an eerie glow into the surrounding darkness. The ocean is pitch-black, with absolutely no sunlight reaching this depth. The only sources of light are the submarine’s illuminated windows and the ghostly bioluminescence of floating jellyfish, which glow in shades of electric blue, green, and violet. These creatures pulse with an otherworldly radiance, their tendrils drifting gracefully in the water, creating a surreal contrast against the abyss. Faint outlines of ancient underwater ruins loom in the background, barely discernible in the murky depths. Remnants of Greek-style columns and sunken structures, now overtaken by coral and alien-like deep-sea growths, suggest a long-lost civilization swallowed by the ocean. Lurking in the vast darkness, a colossal shadow of a giant squid moves ominously. Its tentacles stretch toward the submarine, emerging slowly from the void. The full creature remains shrouded in obscurity, making its immense size and presence feel even more unsettling. The color palette is dark and moody, dominated by deep blues, greens, and blacks, punctuated by the warm golden glow of the submarine’s lights and the ghostly bioluminescent blues and purples of the jellyfish. The composition should be epic, cinematic, and immersive, in the painterly style of Frank Frazetta, with high detail, dramatic lighting, and a sense of mystery, isolation, and grand adventure.
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