Woman in black dress standing in front of a wall of televisions

A **brunette woman in full SAD CLOWN makeup stands in front of a massive wall of old CRT televisions**, each screen **flickering with grainy VHS visuals of herself, looping endlessly as she sobs and applies more makeup**. Her **long, dark hair clings to her damp face, tangled from her breakdown**, her **red-rimmed, swollen eyes staring at her own reflection on the screens**, watching herself in **real-time and in fragmented, glitched-out frames behind her**. Her **shaking hands drag thick black paint around her already-smudged eyes**, her **overdrawn red lips trembling as she tries to reapply the color, only for tears to streak it further down her chin**. The **old TVs flicker erratically, some freezing on frames of her broken expression, others rewinding and repeating the moment she first started crying, making her grief feel eternal, trapped in analog distortion**. The **black marble walls reflect ghostly, fragmented glimpses of the crying woman and the chaotic screens**, warping her **image as if she exists in multiple realities at once, unable to escape her own reflection**. The **sound of VHS static hums in the air, overlapping with the wet, uneven breaths escaping her trembling lips**, the **occasional distortion warping her voice as if the TVs themselves are mocking her pain**. Her **posture is tense, rigid, as if she knows she is being watched—not just by the screens, but by something beyond them**, her **own image staring back at her with an intensity that feels almost sentient**. The **scene is hypnotic, surreal, and deeply unsettling—a high-fashion, psychological horror moment where beauty, despair, and digital decay merge into one, trapping her in an endless loop of self-destruction**. **Luxury noir surrealism, hyper-detailed glitchy VHS effects, eerie psychological horror aesthetic, deep cinematic lighting, ultra-high resolution, 4K.**

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