A Minimalism + Indochine 3-body garden house, seen from a high

A Minimalism + Indochine 3-body garden house, seen from a high-angle bird’s eye view, combines clean lines with cultural richness. The U-shaped structure consists of three connected wings forming a central courtyard. The main wing, painted in soft white and ivory, embodies minimalism with its smooth, simple walls, while warm beige tiles extend across the verandas, grounding the house in natural tones. The two side wings are more private—one holds the living room and the other, a kitchen and dining area. Rich teak and dark walnut wood elements frame the windows and doors, adding a traditional Indochine touch to the minimalist aesthetic. The roof is a mix of brick red tiles and exposed wood beams, enhancing the warm, earthy feel. The central courtyard is vibrant and lush, with emerald green plants, including tall palms and ferns, adding tropical energy. Pathways of smooth stone, inlaid with antique gold and burnt sienna accents, connect the indoor and outdoor spaces, reflecting Indochine’s decorative heritage. A bamboo tea table sits on the veranda, offering a quiet space for reflection. Large, open windows allow ample natural light into the house, illuminating minimalist interiors accented by traditional Indochine decor—indigo blue ceramics, woven rugs, and antique gold lighting fixtures. From above, the balance between minimalist modernity and Indochine warmth creates a serene, inviting retreat amidst lush greenery.
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A Minimalism + Indochine 3-body garden house, seen from a high-angle bird’s eye view, combines clean lines with cultural richness. The U-shaped structure consists of three connected wings forming a central courtyard. The main wing, painted in soft white and ivory, embodies minimalism with its smooth, simple walls, while warm beige tiles extend across the verandas, grounding the house in natural tones.
The two side wings are more private—one holds the living room and the other, a kitchen and dining area. Rich teak and dark walnut wood elements frame the windows and doors, adding a traditional Indochine touch to the minimalist aesthetic. The roof is a mix of brick red tiles and exposed wood beams, enhancing the warm, earthy feel.
The central courtyard is vibrant and lush, with emerald green plants, including tall palms and ferns, adding tropical energy. Pathways of smooth stone, inlaid with antique gold and burnt sienna accents, connect the indoor and outdoor spaces, reflecting Indochine’s decorative heritage. A bamboo tea table sits on the veranda, offering a quiet space for reflection.
Large, open windows allow ample natural light into the house, illuminating minimalist interiors accented by traditional Indochine decor—indigo blue ceramics, woven rugs, and antique gold lighting fixtures. From above, the balance between minimalist modernity and Indochine warmth creates a serene, inviting retreat amidst lush greenery.
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