{ "T5": "A vast, desolate airport terminal rendered in the style of Alexej von J
{ "T5": "A vast, desolate airport terminal rendered in the style of Alexej von Jawlensky. The scene is dominated by brutalist concrete architecture, weathered and stained with grey and ochre. Rain streaks down the enormous, angled windows, blurring the distant cityscape into a watercolor of muted blues and greys. A lone, elderly man in a dark overcoat stands motionless near a departure board, his face etched with profound sadness and existential dread. The lighting is cold and diffused, with pools of deep shadow emphasizing the scale and emptiness of the space. The floor is polished concrete, reflecting the bleak overhead lights. The overall atmosphere is one of profound isolation and melancholic beauty. A Flux\nJawlensky_Visions FLUX_LORA jwlnsk.safetensors:1.0:1.0 LoRA is heavily applied, intensifying the textural detail of the concrete and subtly distorting the perspective to evoke a sense of unease and disorientation. The color palette is strictly limited to greys, blues, and browns, with occasional flashes of deep shadow. The scene is captured from a slightly low camera angle, looking upwards at the massive terminal, emphasizing the manâs insignificance within the immense, sterile space. The atmosphere is thick with unspoken anxieties and the weight of forgotten journeys. The terminal is filled with subtle, almost imperceptible distortions and glitches, hinting at a fractured reality. The man's posture is slumped, his gaze lost in the distance.", "CLIP-L": "Alexej von Jawlensky, airport, terminal, brutalism, concrete, melancholy, existentialism, grey, rain, distortion, glitch, reflection, sadness, isolation, futuristic, monochrome, LoRA, Flux\nJawlensky_Visions, FLUX_LORA jwlnsk.safetensors" }jwlnsk, A vast, desolate airport terminal rendered in the style of Alexej von Jawlensky. The scene is dominated by brutalist concrete architecture, weathered and stained with grey and ochre. Rain streaks down the enormous, angled windows, blurring the distant cityscape into a watercolor of muted blues and greys. A lone, elderly man in a dark overcoat stands motionless near a departure board, his face etched with profound sadness and existential dread. The lighting is cold and diffused, with pools of deep shadow emphasizing the scale and emptiness of the space. The floor is polished concrete, reflecting the bleak overhead lights. The overall atmosphere is one of profound isolation and melancholic beauty. A Flux Jawlensky_Visions FLUX_LORA jwlnsk.safetensors:1.0:1.0 LoRA is heavily applied, intensifying the textural detail of the concrete and subtly distorting the perspective to evoke a sense of unease and disorientation. The color palette is strictly limited to greys, blues, and browns, with occasional flashes of deep shadow. The scene is captured from a slightly low camera angle, looking upwards at the massive terminal, emphasizing the manâs insignificance within the immense, sterile space. The atmosphere is thick with unspoken anxieties and the weight of forgotten journeys. The terminal is filled with subtle, almost imperceptible distortions and glitches, hinting at a fractured reality. The man's posture is slumped, his gaze lost in the distance. , ,<lora:Flux\Jawlensky_Visions FLUX_LORA jwlnsk.safetensors:1.0:1.0>
提示词
复制
{ "T5": "A vast, desolate airport terminal rendered in the style of Alexej von Jawlensky. The scene is dominated by brutalist concrete architecture, weathered and stained with grey and ochre. Rain streaks down the enormous, angled windows, blurring the distant cityscape into a watercolor of muted blues and greys. A lone, elderly man in a dark overcoat stands motionless near a departure board, his face etched with profound sadness and existential dread. The lighting is cold and diffused, with pools of deep shadow emphasizing the scale and emptiness of the space. The floor is polished concrete, reflecting the bleak overhead lights. The overall atmosphere is one of profound isolation and melancholic beauty. A Flux\nJawlensky_Visions FLUX_LORA jwlnsk.safetensors:1.0:1.0 LoRA is heavily applied, intensifying the textural detail of the concrete and subtly distorting the perspective to evoke a sense of unease and disorientation. The color palette is strictly limited to greys, blues, and browns, with occasional flashes of deep shadow. The scene is captured from a slightly low camera angle, looking upwards at the massive terminal, emphasizing the manâs insignificance within the immense, sterile space. The atmosphere is thick with unspoken anxieties and the weight of forgotten journeys. The terminal is filled with subtle, almost imperceptible distortions and glitches, hinting at a fractured reality. The man's posture is slumped, his gaze lost in the distance.", "CLIP-L": "Alexej von Jawlensky, airport, terminal, brutalism, concrete, melancholy, existentialism, grey, rain, distortion, glitch, reflection, sadness, isolation, futuristic, monochrome, LoRA, Flux\nJawlensky_Visions, FLUX_LORA jwlnsk.safetensors" }jwlnsk, A vast, desolate airport terminal rendered in the style of Alexej von Jawlensky. The scene is dominated by brutalist concrete architecture, weathered and stained with grey and ochre. Rain streaks down the enormous, angled windows, blurring the distant cityscape into a watercolor of muted blues and greys. A lone, elderly man in a dark overcoat stands motionless near a departure board, his face etched with profound sadness and existential dread. The lighting is cold and diffused, with pools of deep shadow emphasizing the scale and emptiness of the space. The floor is polished concrete, reflecting the bleak overhead lights. The overall atmosphere is one of profound isolation and melancholic beauty. A Flux Jawlensky_Visions FLUX_LORA jwlnsk.safetensors:1.0:1.0 LoRA is heavily applied, intensifying the textural detail of the concrete and subtly distorting the perspective to evoke a sense of unease and disorientation. The color palette is strictly limited to greys, blues, and browns, with occasional flashes of deep shadow. The scene is captured from a slightly low camera angle, looking upwards at the massive terminal, emphasizing the manâs insignificance within the immense, sterile space. The atmosphere is thick with unspoken anxieties and the weight of forgotten journeys. The terminal is filled with subtle, almost imperceptible distortions and glitches, hinting at a fractured reality. The man's posture is slumped, his gaze lost in the distance. , ,<lora:Flux\Jawlensky_Visions FLUX_LORA jwlnsk.safetensors:1.0:1.0>
共 0 条评论
1
0
